Monday, November 29, 2010

Folk Seduction

An audio and visual seduction – by Manganiyars – a hitherto unknown group of musicians from Rajasthan. And the setting perfect – against the backdrop of Purana Qila – just the beginning of winter season, slight chill as you walked inside the gates for an open air performance. Flower rangoli with diyas welcomed, the scent of rose and marigold petals setting the mood for the evening to unfold.
As we walked towards the performance area, the stage came in view - a vibrant red setup that looked like stacked matchboxes of rows and columns – the colour traditionally Indian while the set idea borrowed from Amsterdam. An east-west fusion indeed!
The sun went down, and the first notes of music came from one of the musicians seated in the cubicle framed by a row of yellow bulbs – the show began. The silence descended on the crowd – it was a crowd of music lovers – no VIPs to wait and welcome – the evening dedicated to music sans speeches.
It was unlike any other musical performances I have ever seen – the musicians could not see each other because of the stage setup, hence, could not communicate through hand or eye movements, each had to know not only its part but of others as well, and a perfect coordination between musicians and technicians ensured the magic of light and sound.
The crescendo of vocals in a chorus of well-lighted windows turned to darkness with a single dhol musician highlighted in his own singular window, while at other time a well-orchestrated instrumental performance gave way to a solitary singer in the folk tune.
The similarity between Abida Parvin and the likes and the Manganiyars ended at their choice of song performed on – the Bulle Shah and the fact that both performances enthrall audiences albeit in a different way. While Abida’s performance is primarily vocal in her own signature style, the Manganiyars have their own interpretation and create a sound which alternates between vocals and instrumentals – the sound straight from the heart of India – as it would have been centuries ago. In pristine white kurta and dhotis with the Rajasthani trademark pagdis, they ensure that the tradition lives on – bringing it out of the desserts to not only urban India but to the world beyond, courtesy Roysten Abel.
The music was raw, the voices untrained and yet they mesmerised, switching between vocals of Bulle Shah and the tones of Rajasthani instrumentals. And too soon, the 67 minutes ended giving way to the formal piece of the evening – an unveiling of The Manganiyar Seduction LP and CD by Amarrass Records, and then a tribute to their mentor. And in the end, came the encore, this time a Krishna bhajan by Meera – a far cry from Bulle Shah but still from the same land of Rajashthan – while they continued the seduction of souls!

24 hours after and still in seduction,
November 28, 2010

Friday, November 26, 2010

Nature’s Fury or Beauty

One day, while I was travelling back home from office, I was awed by the kaleidoscope of clouds on NH8. Dense clouds that seemed to land on the highway, sky in various hues of grey and white, the buildings on either side of the highway had an eerie colour of blue and grey. As we travelled further towards Delhi, the panorama continued with lightening striking out of the dense clouds.

As we entered Delhi, this panorama turned into a nightmare, with bumper-to-bumper traffic, choked drains, hassled traffic police with no signals working and to top it all, uprooted trees blocking the traffic. And the magic of monsoon disappeared even before it could really begin.
The tension of commuters reflected in the nature’s temper as it continued to rain heavily while clouds thundered and lightening continued to strike. And we remained the mute spectators.

So was it nature’s way of reminding us that while we race against time continuously, we need to take out time to stop and appreciate the colours of nature, its dynamism and beauty.

In belief that Nature’s fury is also it beauty,
July, 2010